Los audient nuevos tienen el mismo "problema"?
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#3
Pues no lo sé pero si que he leido que los potes siguen siendo de esos que van super sueltecillos, que no tienen ajuste fino y no me refiero a que vayan por pasos rollo Neve Portico sino que no notas ninguna resistencia al accionarlos, apenas fricción (que mal me explico)
Echale un ojo a esta review, es bastante esclarecedora! (in English)
http://www.pro-tools-expert.com/home-page/2014/4/12/audient-asp880-8-channel-microphone-preamplifier-and-adc-rev.html
Cito la fuente
Para los que no sepan inglés traduzco
Pues no lo sé pero si que he leido que los potes siguen siendo de esos que van super sueltecillos, que no tienen ajuste fino y no me refiero a que vayan por pasos rollo Neve Portico sino que no notas ninguna resistencia al accionarlos, apenas fricción (que mal me explico)
Echale un ojo a esta review, es bastante esclarecedora! (in English)
http://www.pro-tools-expert.com/home-page/2014/4/12/audient-asp880-8-channel-microphone-preamplifier-and-adc-rev.html
Cito la fuente
Alguien escribió:One minor gripe I have at this point is that the knobs have no notching on them and are very easy to move. Some may see this as a bonus and whilst I don’t subscribe to a small amount of notches, it would have been nice to feel a sense of friction when setting either the gain or filter.
Para los que no sepan inglés traduzco
Alguien escribió:Ua pequeña queja que tengo en este momento es que los potes no tienen "notch" y son muy faciles de mover. Algunos lo pueden ver como una ventaja, habría sido agradable sentir una sensación de fricción cuando regulo la ganancia o el filtro
Por lo que ponen el SOS creo que tambien tiene el mismo "problema":
As is typical of preamps with continuous gain controls, the gain tends to get bunched up towards the clockwise end of the control. However, in practice I had no problem setting high gains precisely, and the revised internal gain structure minimises the problem quite well. At the anti‑clockwise position (seven o'clock) the gain is 0dB, with 2dB at nine o'clock and 20dB at 12 o'clock. The three o'clock position provides 35dB gain and it's the full 60dB at the clockwise end‑stop at five o'clock. In other words, the top 25dB of gain is spread across the last 60 degrees of travel, which isn't bad at all.
http://www.soundonsound.com/sos/aug14/articles/audient-asp880.htm
As is typical of preamps with continuous gain controls, the gain tends to get bunched up towards the clockwise end of the control. However, in practice I had no problem setting high gains precisely, and the revised internal gain structure minimises the problem quite well. At the anti‑clockwise position (seven o'clock) the gain is 0dB, with 2dB at nine o'clock and 20dB at 12 o'clock. The three o'clock position provides 35dB gain and it's the full 60dB at the clockwise end‑stop at five o'clock. In other words, the top 25dB of gain is spread across the last 60 degrees of travel, which isn't bad at all.
http://www.soundonsound.com/sos/aug14/articles/audient-asp880.htm
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