Interface profesional

Alguien escribió:

Microphone Inputs

Dynamic Range (A-Weighted): 109dB
SNR (A-weighted): -109dB
Frequency Response: 20Hz - 20kHz +/- 0.1 dB
THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)
Maximum level (A-weighted): 8dBu at 1%
Line Inputs

Dynamic Range (A-Weighted): 109dB
SNR (A-weighted): -109dB
Frequency Response: 20Hz - 20kHz +/- 0.1dB
THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
Noise: -90dBu (22Hz/22kHz bandpass filter)
Maximum level (A-weighted): 28.5dBu at 1%
Instrument Inputs

Frequency Response 20Hz-20KHz +/- 0.1dB
Maximum Input Level min gain no pad +8dBu
Maximum Input Level max gain no pad -42dBu
THD+N, -1dBFS, min gain, no pad < 0.0015%
SNR 109dB "A"
DNR 109dB "A"
Input Impedance > 1MOhm
X-talk < -100dB
Adjustable Gain > 50dB
Pad Attenuation 10dB
Headphone Outputs

Frequency Response 20Hz-20KHz +/- 0.1dB
SNR 109dB "A"
DNR 109dB "A"
Maximum Output into 32R +12.4dBu (+10.2dBV)
Power into 32R 250mW
Output Impedance < 7Ohms
Load Impedance > 24Ohms
Line level Outputs

Dynamic Range (A-Weighted): 108dB
SNR (A-weighted): -108dB
THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
Maximum level (A-weighted): 15.7dBu at 0.883%
Additional Conversion Performance

Clock jitter < 250 picoseconds
THD+N AMPL (A-weighted)= -109dBFS
CONNECTIVITY

Analogue Channel Inputs (Inputs 1-

2 Mic/Line/Inst Combo XLR (Inputs 1 and 2)
6 Mic/Line Combo XLR (Inputs 3-
Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument)
Digital Channel Inputs (Inputs 9-18) 44.1-96kHz

Stereo S/PDIF input on RCA
8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz • Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)
Analogue Audio Outputs (Outputs 1-10)

8 ¼” TRS Jack (Outputs 3-10)
2 monitor mix outputs on ¼” TRS Jack (Outputs 1 and 2)
Stereo headphones mix 1 on ¼” TRS (also routed to outputs 7 &
Stereo Headphones mix 2 on ¼” TRS (also routed to outputs 9 & 10)
Digital Channel Outputs (Outputs 11-20) 44.1-96kHz

Stereo S/PDIF output on RCA
8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz
Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)
Other I/O

2 6-pin FireWire sockets
2 Standard 5-pin DIN MIDI connectors: In and Out
IEC mains power input connector
Weight and Dims

3kg / 6.6Ibs
482mm / 19" (W) x 45mm / 1.8" (H) x 265mm /10.4" (D)

harpocrates escribió:

Pero bueno, para efectos prácticos, si puedes y quieres aspirar a una interfaz tope de linea, de seguro con la RME quedaras totalmente satisfecho.

Te dejo las especificaciones de la RME y la Saffire que mencionas, primero la RME:

Technical Specifications

AD, Line In 5-8, rear

Signal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz
Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz
Frequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz
THD: < -105 dB, < 0.0005 %
THD+N: < -98 dB, < 0.0012%
Maximum input level: +19 dBu
Channel separation: > 110 dB
Input: 6.3 mm TRS jack, electronically balanced
Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu
Input level for 0 dBFS @ -10 dBV: +2 dBV

Line In 3-4, front

As AD, but:

Additional Gain stage: 0 up to +12 dB
Maximum input level, Lo Gain, Gain 0 dB:
Line +19 dBu, Inst +13 dBu
Maximum input level, -10 dBV, Gain 12 dB, Line:
-7,5 dBu, Inst: -13,5 dBu
Input impedance Inst: 470 kOhm
Input Gain Inst: +6 dB
Input mode: Line balanced (TRS), Inst unbalanced (TS)
CLIP LED: 0 dBFS
SIG LED: -60 dBFS

Microphone/Line 1-2, front

as AD Line In 5-8, but:

Input: Neutrik XLR/TRS Combo jack, electronically balanced
Input impedance: XLR 2 kOhm, TRS 8 kOhm balanced
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
Low Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz
Gain range: 0 dB, +10 up to +65 dB
Maximum input level XLR, Gain 0 dB: +10 dBu
Maximum input level XLR, Gain 65 dB: -55 dBu
Maximum input level TRS, Gain +0 dB: +21 dBu
Maximum input level TRS, Gain +65 dB: -44 dBu
CLIP LED: 0 dBFS
SIG LED: -60 dBFS

DA, Line Out 1-6, rear

Dynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)
Frequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz
Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz
THD: -100 dB, < 0.001 %
THD+N: -96 dB, < 0.0015 %
Channel separation: > 110 dB
Maximum output level: +19 dBu
Output: 6.3 mm TRS jack, servo-balanced
Output impedance: 75 Ohm
Output level switchable: Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV
DA - Phones, 7/8, front

As DA, but:

Output: 6.3 mm TRS jack, unbalanced
Output impedance: 30 Ohm
Word Clock

BNC, switch for internal termination 75 Ohm

bellivai escribió:

y encima lleva unos conversores igualitos a los de Apogee.

bellivai escribió:

En fin que si sólo necesitas el interface, pues a por la RME de cabeza

b_side escribió:

Lo que llegué a grabar escuchado en los monitores de campo cercano sonaba bien, la mezcla, etc. Al escucharlos en un equipo HI-FI, sonaban peor los sonidos grabados de instrumentos hardware que los plugins.