El nuevo sistema de EAW

Hola, os dejo el enlace de lo nuevo de EAW

http://www.anyalives.com/

calentito, calentito

saludos

y lo que dice Dave Raat en su blog

"Well, so far, from everything we have seen, the ANYA System is the first system that is truly unique. The rig dead hangs straight, no "J" shape. That means the techs can come in, hang the PA first and fast up and out of the way, like we used to in the good old days. Then after the system is hung, the vertical dispersion can be adjusted to cover. Set a mic near the barricade and tell the system to find the mic and start covering there, set another mic up in the back of the venue, tell the system to stop covering there. The system then electronically covers the space in between the mics. All done after the fact, no more dropping the system to change angles, no bumping motors and trying to fudge to cover a new section that was opened after the system was flown. Furthermore, coverage can be increased or decreased in real time, while the band is playing if need be. The system can aim straight up or straight down. a single box can have up to 180 degree vertical coverage, as can a full 32 box deep hang."

http://daverat.blogspot.com.es/


Es un concepto totalmente nuevo de diseño y ajuste de sistemas.

Acoustical Data

NOTE: Traditional concepts of nominal product documentation do not apply to Anya. Maximum output depends on directivity, so for Anya, there is no such thing as a nominal specification.

These data reflect a single module controlled to produce a 70° (h) x 60° (v) nominal coverage pattern. That is:

ANYA WAS PRETENDING TO BE A CONVENTIONAL LOUDSPEAKER FOR THIS DATASHEET. ANYA WAS ONLY PRETENDING, SO THIS IS ONLY A PRETEND DATASHEET. THERE IS NO DATASHEET. THERE CAN NEVER BE A DATASHEET.

Operating Range (-10 dB, Hz)

35 – 18k

Calculated Maximum Output Peak/Long Term (dB SPL)

Full Range: 141/135

YEPAAAA

Desde luego si algo me gusta de estos chicos de Eaw es su modo de entender y afrontar los problemas y soluciones de los sistemas de PA.

Leyendo las expecificaciones...... ¿Este sistema cumple la ley de medios no?

Otra duda, si fisicamente la cumple, quiza en la practica no, pues para configurar coberturas ira poniendo motores de agudo en funcionamiento para ir ampliando la cobertura, imagino....

Me refiero a la maxima separacion entre fuentes, al menos en los medios y agudos.

En los graves habria que descubrir donde se encuentra el punto de corte entre vias para saberlo.

Saludos

Dave Raat y EAW... matrimonio de conveniencia (pero que no resta nada al interés del producto).

Llamémoslo Matrimonio por que no, pero de los que se llevan de lujo entre ellos, no como la mayoría...pero el producto es una barbaridad...cobertura 3D sin angular las cajas ¿?¿?¿Redios que cosas...... quiero escuchar las impresiones y opiniones de gente que realmente entienda el concepto, por que si bien parece nuevo...(se comenta que :Nice try EAW. I'm sure Tom Danley is flattered you've tried to imitate a Synergy horn ) y revolucionario, puedo que como siempre estemos hablando de conceptos ya existentes.



Sigo ansioso de ver los comentarios que traerá este Sound System

Muy buenas! es sólo mi impresión o es algo parecido a lo que presentó Martin? El MLA: http://www.martin-audio.com/mla/index.asp

With MLA, audience position and venue criteria are used as a basis for intelligent, numerical optimisation of up to 144 individual acoustic cells within the array. Everything is done from an audience perspective. Firstly, the software calculates what acoustic source is required to deliver a consistent frequency response and SPL over the audience - as well as taking into account areas where sound is not wanted. Secondly, the software configures an MLA array that can generate that source. In mathematical terms this is an “inverse problem” that we solve using numerical optimisation within the software.