#15 No si ya lo intento, pero me dice que el archivo no es válido.

Suvur escribió:Aunque podré superarlo: Acabo de leerme en una noticia antigua diciendo que éste Proteus no me gustó.
Suvur escribió:Aunque parece que debo hacer una especie de pedido... ¿ no ?
Suvur escribió:Menudo máquina el amigo...
Alguien escribió:Yes alot of the Roland JV series Dance card was used.
Also I heard they used the Emu Vintage Keys and maybe some Korg (possibly the Triton) for some stuff too.
I heard Denniz Pop (the guy who gave Max the batton) used SE1 for the Bass, so I am thinking that unit was always used as well.
The JV Vintage card is pretty good and has 256 sounds for most JVs but it adds another 256 sounds if you use it with a JD990 module (the sister version of the infamous JD800 synth, which was used by a lot of cats in the day too, including Teddy Riley, Babyface etc)
Remember the 1010 is a small piece of work and does not have too many functions. Also the XV5080 is super clean. The 2080 or 1080 have better converters so I would recommend scanning Ebay and then picking up one of those.
All in all, as said before, its all about the arrangement and the song. I know of guys with the best of the best synth line up, but don't know what to play where and how to arrange those so it's all about getting the right production with what you have. Larger than Life was that BSB that had come out of 'Everybody' and those guys were on that freak someone out type sound and those patches and synth stabs (very common on most synths) were executed for that reason.
Having said all these, I have to say that Max and all those cats would have got their ideas of early RnB which had all those (listen to a Dallas Austin or Michael Bivins produced track.. aka. even early TLC, Motownphilly) accents and feel and just made it 'pop', which when packaged with artists like Britney/BSB just had a wider market appeal.
klausmaria escribió:Sí, pero según cuentan en Gearslutz tira masivamente de presets en módulos.
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