Aprendiendo de Hans Zimmer - Prácticas de Mezcla Orquestal

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It took two years for Zimmer to conceptualize and compose the score, in parallel with the scripting and shooting of the film. Usually, by the time Nolan was shooting a scene in the film, Zimmer was ready with the score for that particular scene. However, most of the actual recording was done in the late spring of 2014.[4] Zimmer played every note of the score himself, making extensive use of his computers and synthesizers, and explained that it gave the music a singular quality. However, later, he needed musicians to perform complex instrument score. For one scene, Zimmer visited London's Temple Church to record notes played on the 1926 four-manual Harrison & Harrison organ by the church's music director Roger Sayer.[4] Further, for the overall score, Zimmer added an ensemble of 34 strings, 24 woodwinds and four pianos and recorded it at AIR's Lyndhurst Hall studios. Zimmer himself played the solo piano for the scenes in the film near Saturn.[4] He also added a 60-voice mixed choir. As per Zimmer, the concept of air and breath resonates throughout the score, as the film revolves much with astronauts in spacesuits. Richard Harvey with Gavin Greenaway conducted the score.[4] Zimmer told them to assemble a group of top woodwind players, then asked the musicians to play strange and unusual sounds with their instruments. The choral elements were experimental.[4] Zimmer used the choir in strange ways, for example, "to hear the exhalation of 60 people as if the wind flows through the dunes in the Sahara."[4] He made the choir face away from the microphones, using them as reverb for the pianos. Zimmer explained, "The further we get away from Earth in the movie, the more the sound is generated by humans—but an alienation of human sounds. Like the video messages in the movie, they're a little more corroded, a little more abstract."[4]

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Las pistas de Zimmer ya no las encuentro lo que es una pena...