Information theory influenced the way in which Hiller composed. Several of the commands available in the computer composition language MUSICOMP, which was written by Hiller and Robert A. Baker in order to create their Computer Cantata, are designed with ideas of information fluxes in mind. Also the first movement of Hiller's Algorithms I is entitled, "The Decay of Information," as an indication of how it was composed.
¿Porqué no me recomendais algunos discos de música electronica, pero que no sea Dance?Y tampoco rollo Vangelis (que tengo ya toda la discografía).No sé, me refiero a algún tipo de mterial distinto, pero que tampoco sea rollo KraftWerk, ni tan experimental como Aphex Twin...Pero que sea al mismo tiempo tranquila....pero oscura.
Jeje, tal vez estoy pidiendo mucho; o igual me ekivoqué de foro.
Pero veo mucho entendido el tema, así que :¿Alguna propuesta?
Saludos.
si la encuentro te la paso stockhausen, creo que tenia algo por ahi...
Hiller: Computer Cantata (1963)
"This Computer Cantata is the first of a proposed series of compositions prepared by means of a generalized programming procedure which we have called MUSICOMP and which was written for an IBM digital computer such as the one installed in the University of Illinois Digital Computer Laboratory..."
Lejaren Hiller's Computer Cantata was one of the very Þrst compositions to be created with digital assistance. At a time when all computers were slow, bulky, low-powered mainframes, and software had to be created from scratch using awkward computer languages designed for the physical sciences, Hiller and his assistant Robert Baker created a musical tour-de-force in which a computer not only selected all the notes, but also created the singer's text and generated the sounds for an electronic tape.
The score to this unique work has been in print for many years, and most libraries now have it in their collections. Performance materials, however, have previously been available only on rental. Kallisti Music Press is pleased now to offer them for sale in addition to the score, which remains available separately. At reasonable cost we provide parts for vocal soloist and eighteen instruments, as well as the tape for the electronic cues, newly prepared from Hiller's digital original. The tape may be had in any format (DAT, open reel [half-track or quarter-track], or analog cassette), with or without any desired noise-reduction. DAT provides the most stable medium for archival storage, however we strongly recommend open reel as the most convenient for performance purposes.
Duration: 22'
Instrumentation: Soprano voice plus flute, bass clarinet, B-flat trumpet, horn, violin, viola, amplified guitar, theremin [ondes martenot, trautonium], 10 percussion (snare drum, cymbal, tambourine, castanets, tabor, maracas, bass drum, tam-tam, glockenspiel, xylophone), tape
parece que no hay nada nuevo... jejejje..