NAMM 2015

Alguien escribió:

A ver si eres capaz de sacar texturas completjas de un sintee de 2 osciladores. Te reto cuando y como quieras

Alguien escribió:

Hi guys,
Decided to email Studiologic to ask about the OS V2.0 that was supposed to show up in September for the Sledge. Here's what I got:
"Thanks for your interest and appreciation; we're working hard to complet the 2.0 firmware (with Waldorf eng) and I hope it will be released withing a few weeks ! As soon as ready, we will publish it on our site, but pls remind that for the "samples" licence there will be a fee to pay directly to Waldorf, as announced."
This is good news to me since I all want are some bug fixes, but it looks like the added sampling engine is coming at cost!

Alguien escribió:

Auto Dual mode: Sledge 2.0 can now play two sounds at the same time, in Split or Layer mode; the feature is controlled by a new page of the Global function and allows to simply keep one note (for Split) or more notes (for Layer) and then select a new sound, that will be added to the previous sound; as any other sound, also Dual Sound combinations can be permanently stored in any of the 1.000 available presets;

Sample Player: sound samples and new waves can be loaded in the internal 60 megabyte of Flash memory, played by OSC 1 and modifiable by all parameters of the control panel, adding other oscillators, setting filters, envelopes and effects. This feature can constantly expands the instrument’s sounds and create a totally new combination of synthesis and sampling.

Pitch & Hold controls: a new Global page allows to enable the Pitch and the Hold separately for the Lower and Upper sounds in Dual Mode, allowing to use the Pitch bend on the Upper sound (i.e. for solo parts) and the Hold pedal to control only the Lower (to keep playing a Drums groove or as a Damper for a Piano sound) and vice versa, or to enable Pitch Bend and Hold on both Upper and Lower sounds;

Reverb+Delay: a new function allows to mix both effects; the Reverb keeps the setting previously selected, while the real time controls (time and level) allows to set the parameters of Delay also when mixed.

Enhanced Polyphony: the total maximum number or notes that can be played at the same time have been expanded to 24, allowing to get a better real time control over the new sound possibilities obtainable from synthesis and sampling together.

Sledge Spectre: samples can be edited (keyboard range, tuning and other parameters) and transmitted to Sledge 2.0 by the USB port, with this easy sample editor that allows to first load and play the samples on your Computer and then download them into the instrument’s memory.